Honey Badger, Cockpit Theatre Review
Reviewed by Bronagh for Theatre and Tonic.
*Disclaimer: Gifted tickets in return for an honest review
Content warnings – references to violence and abuse
Honey Badger is a powerful, hard hitting one man show that dives into the effects that childhood trauma can have on a person. We travel back in time with Juraj Benko’s unnamed character, revisiting events and abuse and looking forward towards redemption.
We enter the theatre space with rainforest-style music playing. Already a winner in my eyes, as I love any nature related sound. The set is stark with just a small suitcase holding some items which soon get unpacked, effectively airing the family’s dirty laundry in a not so subtle manner.
The story is truly emotional, where we see childhood abuse ranging from Juraj being locked outside in the rain, to the emotional abuse from his mum. This is exceptionally powerful, a true testament to Juraj’s talent which is seemingly never ending. He migrates from being a young, vulnerable boy to a fully grown adult trying to come to terms with the abuse he suffered effortlessly and exceptionally. Juraj tells the story through the use of props, outfits and movement. Some sections don’t even need words, just allowing the movement and beautiful music take over the audience. This is extremely impressive; for one person to captivate and stun an audience as Juraj does is mind blowing.
Honey Badger is made up of a lot of symbolism, perhaps not subtle but still very enjoyable. We get Juraj’s violent father’s coat, coupled with a brutal childhood story. His mother’s dress and playing cards is unpacked too… she loved a card game and was a seductress. Then a bottle of brandy, which Juraj drinks in one, symbolising his mother’s alcoholism. Juraj also unpacks some toy animals while musing on brutality being passed down the family line. Redemption soon comes around, and Juraj packs his case once more.
Ariella Zilkha’s music is stunning and a joy to listen to. It fits into the story so well, not overpowering or taking anything away. Lighting by Fausto Pro is also brilliant, both plunging us into darkness and replicating the light of the moon. Juraj Benko’s performance was amazing to watch, never once dropping a beat and energy levels were sky high throughout. His performance was, at times, wonderfully graceful. At one point he waltzes with his mother’s dress, light of his feet and a look of love on his face. Lovely to watch.
Overall I thought Honey Badger was a well thought out, well directed and well acted show with music and lighting complimenting the whole production throughout. A few more subtle symbols could have been used, however, this was in no way detrimental. A beautiful performance, and a joy to watch.
At The Cockpit Theatre until 13th April 2024.
★ ★ ★ ★
