Interview Joanna Hudson-Fox, DocDoc
Conducted by Emmie for Theatre and Tonic
Currently premiering in the UK, Morris Gilbert and Óskar Eiriksson’s presentation of Lauren Baffie’s international smash hit comedy about OCD runs at the Churchill Theatre and Palace Theatre Southend. We spoke with Joanna Hudson-Fox to find out more about this show.
You’ve had an incredible career so far, you’ve worked on screen and on stage. How do you take those experiences and use them into your role on DocDoc?
That is incredibly kind of you to say! I’ve had some lovely opportunities the past few years and am very grateful for each experience that comes my way. Coming into DocDoc felt very natural as the script is so well written; the characters jump off the page. I loved Blanche as soon as I read for her. When you feel that affinity for a character, it’s a joy to explore and construct a role… which then grows even more when you start playing with the other actors!
What’s unique about Doc Doc as a production, and how does it stand out compared to other projects you’ve worked on?
The team have all been phenomenal, it has been such a joy. It’s such a privilege to be in the UK Premiere of something that already has such an incredible international reputation.
I’ve never been involved in anything where the Producers have been so excited and passionate about the show, and that in turn makes you want to make this a success for them.
We would love for this to be as successful in the UK as it has been in Mexico!
DocDoc is an international smash hit comedy and its heading to the UK. What can audiences expect from it?
It is an incredibly funny play and everyone who’s seen it tells me that it’s what we all need right now! The chance to have a night out and laugh! But more than that, the international success shows that we really aren’t so different; there is a heartwarming depth to the show that strikes a chord with everyone, wherever you’re from.
You play the role of Blanche. How does your character fit into the overarching story of Doc Doc, and what drives them throughout the narrative?
Blanche is an important part of the group dynamic in Doc Doc. Although it’s a true ensemble piece, with all six characters (and a 7th who pops in and out!) sharing the spotlight, Blanche contributes to the heart of the story—how connections can form in unexpected places. The play is about these six people meeting in a doctor’s waiting room and, through shared experiences, becoming incredible friends by the end. It’s more about how they all come together as a group than about any one individual, which is what makes it so special to perform.”
Are there any particular aspects of Blanche’s personality or background that you’ve found challenging or rewarding to explore?
Funnily enough, I was cast as Blanche without the Director, (the fabulous Ian Talbot, we have LOVED working with him), knowing that I actually have an OCD related to handwashing—so I guess you could say I was cast pretty close to type! It’s been a bit of a surreal experience because playing her has made me more aware of my own OCD habits. In some ways, it’s heightened them, but it’s also helped me connect with Blanche on a very personal level. So, I suppose the biggest challenge has been separating where she ends and I begin—but at least I never forget to wash my hands on stage!
Comedy often demands great timing and chemistry. How has the dynamic between you and your fellow cast members shaped your performance as Blanche?
From the first read through I immediately loved the character choices all the other actors had made for their roles. It’s been very exciting to see it all evolve. Working with talented performers always makes you want to up your game so that you’re not the weak link! I think the whole cast have been inspiring and helped me create a character that I hope the audiences will love.
Is there a moment in the show that you particularly enjoy performing or feel defines Blanche as a character?
It’s hard to choose just one moment because I truly love performing the whole play. What makes Doc Doc so special for me is that it’s an ensemble piece. I love the chance to connect with my fellow actors and discover new layers in our performances together. There’s something magical about how the play brings us all together on stage—it’s a real team effort, and I enjoy every second of it.
Does Doc Doc tackle any themes or issues that you think will resonate deeply with audiences?
I’ve had friends comment that they went to the play not knowing what to expect and hoping we won’t be laughing at people with an OCD; and have then come away loving it and realising what we laugh at is the things we recognise in ourselves or people we know. Everything is done with love and we are not here to cause offence. We hope it raises awareness that we *all* have an OCD of some description and it should be embraced, not rejected.
What do you hope for the future of DocDoc beyond this short UK tour?
We all hope that DocDoc will continue for longer….. and that we’ll all be asked back! It has been such an International success that it would be wonderful to perform this to more audiences in the UK.
Finally, why should people come and see DocDoc?
Audiences for Doc Doc can expect a heartfelt and insightful theatrical experience. The play delves into the subject of OCD with sensitivity and authenticity, offering a window into the challenges and emotions surrounding the condition.
At its core, Doc Doc is a story about connection, resilience, and understanding. Through rich characters and genuine moments of humour and warmth, the play brings people together in a way that feels both uplifting and real. It’s a performance that will resonate deeply and stay with audiences long after they leave the theatre.
