For those who are concerned about too much change, however, the artistic vision and choreography leave plenty of room for The Nutcracker’s classical ballet spectacles. It is not a complete reimagining but rather a reinvigoration of the piece, with a perfect combination of innovation and tradition, contemporaneity and classicism. The Act Two set pieces are showcased as a performance within a performance, with a commanding Master of Ceremonies role for the production’s re-envisioned Uncle Drosselmeyer. The dancing remains exquisite, whether performed by soloists, principals or the corps de ballet. It is complemented by beautiful make-up and costumes (notably intricate Snow Maiden headgear and Regency outfits) and thoughtful set design. Heralding in Christmastide, the superb staging and lighting give us snow, night skies, twinkles, a gliding sleigh and, most importantly, magic!
Tchaikovsky’s familiar music still manages to sound lively and invigorating even to today’s ears – a live orchestra brings so much to a production. As the audience gathered, the Northern Ballet Sinfonia warming up added to our anticipation - shuffling timpani, a melodious bassoon, a tinkling harp. The instrumentalists and their conductor Jonathan Lo did not disappoint. Yes, they have a sumptuous score at their disposable but the Sinfonia truly makes it sing. The orchestral and ballet performances are symbiotic, giving us two amazing masterclasses in one. The audience may be unable to take their eyes off the dancers, but the music is at the heart of this ballet.
Of course, the story does not really make much sense, but this merely adds to the ballet’s charm. The flimsy Nutcracker plot is a whimsical flight of fancy, crammed with Christmas excitement, dreamy fantasy and surrealist touches which, like all the best theatre, takes us out of our own world into another dimension. Nixon further plays with the source material, transforming E T A Hoffman’s vicious Mouse King into a sassy anti-hero, shaking his booty and engaging in playground dance moves (much to the delight of many children in the audience!) This and other comedic twists once again transport both children and adults out of the everyday into the world of imagination. What an utterly captivating production!
Overall, I can thoroughly recommend Northern Ballet’s production of The Nutcracker, not only for its choreography and dancing, but as a reminder of magic - not only the magic of Christmastime but the sheer magic of going to the theatre. (And If Nixon has achieved this, breathing new energy into the most performed ballet in the world, then I am full of anticipation for Northern Ballet’s The Great Gatsby in 2023!)
Northern Ballet’s production of The Nutcracker performs At Nottingham Theatre Royal until 19 November. Afterwards, it goes onto Norwich Theatre Royal 22-26 November, Hull New Theatre 30 November - 3 December, Leeds Grand Theatre 20 December = 7 January. Visit their website for further ticket information.