★ ★ ★ ★

Reviewer - Stacy

*Disclaimer: Gifted tickets in return for an honest review

A trip to Alphabetti is always a perfect treat, their inclusivity is second to none and their programme of shows always manages to hit the right note across the board. Soapbox Racer is no different, from the erratic set design, through to the quirky, yet endearing charms of the heroine, this show captures the determined charisma of a teenage girl in a desperate plight to win back her ex-boyfriend. A scheme that features flying down a hill on a box with wheels. I mean how else would this plan be executed?

Ben Schwarz’s writing is sincere, with an amusing narrative that balances the serious and the savvy with the right amount of astute care. This narrative is brought to life through the directive vision of Rosie Bowden, who creates a determined rhythm and pace throughout the piece, to keep it fresh and flowing easily. Then there’s Harrison Rowley-Lynn, as the leading lady, who commands the stage with deliberation and zeal.

The plot introduces Kay, or shall we say Kay-T, a teenager negotiating life, post-beak-up from her boyfriend Rory. A first-ever break-up that is and I don’t think she’s taking it too well….about as well as “hoying yourself downhill on a matchbox with wheels” goes. Couple that with the delusional idea that this could be a “grand gesture” to liberate him from the clutches of her ex-friend, Vicky Nits, AND……that this hair-brain scheme might actually work. But this coming of age narrative is also laced with profound moments as Kay evaluates her relationship with her father, following her mother's death, which adds poignancy and depth to the piece.

Harrison’s performance flies at 100 miles per hour with enthusiasm and intent. As a one woman piece carries a certain level of responsibility, she executes this with loveable charm. From the terrific dungarees and Crocs, to the interaction with props, music and audience, Harrison creates a performance that is filled with heart.

Soapbox Racer has heroism, humour and the right amount of heartache. It’s a short, sweet show with an engaging take-home message for all.