The cast of Stiletto. Photo by Johan Persson

Written by Mia for Theatre & Tonic

Disclaimer: Gifted tickets in exchange for an honest review

As a huge fan of historical fiction, I absolutely love it when a new story takes me into a world of which I knew nothing. Stiletto may sound like a prequel to Kinky Boots, but it’s actually a lot darker than that. In Venice in the 18th century, opera was extremely popular; however – much like we see with the plays of Shakespeare – women were not allowed to set foot on stage. To maintain the beauty of these powerful musical productions, boys were taken from their families, castrated and taught how to sing like women. Barbaric, but believable.

Tim Luscombe and Matthew Wilder have taken this small part of history and thrust it onto its own stage. And it is beautiful. Designed by Ceci Calf, we begin in a decorative piazza, before journeying to the extravagant palazzo of the Contessa with just a few minor set changes. The opening number “Every Day of Your Life” sets the tone for the whole show, with several memorable songs throughout, performed brilliantly by the talented cast.

Jewelle Hutchinson is sublime, with a lovely voice and strong representation of the character Gioia. Her chemistry with Jack Chambers (Marco Borroni) is touching, and their love story is sweet, especially given the circumstances. Greg Barnett gives a fantastic portrayal of Faustino, whose arc is fraught with multiple emotions, showing the range of this actor. Scenes between Azurra (Kelly Hampson) and Pietro D'Orozca (Douglas Hansell) are excellent, with the couple providing discreet comedy throughout a show that does, at times, cover some heavy topics. Special mention to Sam Barrett (Luigi) and Connor Wood (Niccolo), who are quiet characters before their final performances which are exceptional.

The singing is perhaps superior to the acting, but considering the difficulty of some of the pieces, this is unsurprising, and there is no weak member. The writers have ensured that all principles have a moment in the spotlight, which gives depth to the story and the character arc. The plot is simple, and scenes are a tad choppy in their plot transition, with a lot of the songs reminiscent of those from other musicals (everything from Les Mis and Phantom to Matilda and Hamilton is represented). Yet at its heart, Stiletto is a new story that just wants its chance to shine. And shine it does, right down to the ultimate scene where Anna Kelsey’s costumes and Jennie Jacobs’ voice take centre stage in a glittering finale.

A fun, thought-provoking show with a few twists, but ultimately a happy ending and the best show I’ve seen at Charing Cross Theatre.

At Charing Cross Theatre until 14 June 2025

★ ★ ★ ★

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