The Pirates of Penzance, Wilton’s Music Hall Review

Reviewed by Emily D for Theatre and Tonic

Disclaimer: Gifted tickets in exchange for an honest review

A Gilbert and Sullivan show is challenging enough on its own, and casting an all-male ensemble in such a technically demanding opera is a bold and ambitious choice. Yet, Sasha Regan’s Pirates of Penzance delivers with impressive precision and a perfect mix of structure and comedy.

The story follows Frederick, who was mistakenly apprenticed to a band of pirates when he was supposed to be a pilot. On his 21st birthday, he decides to leave his life of piracy and rid the world of his pirate family. His journey takes a romantic turn when he falls for Mabel, one of the General's many daughters, but soon realizes he must return to piracy, adding layers of twists that make this a classic G&S performance.

The plot can be tricky to follow, with its frequent character changes and surprising turns, yet it unfolds with a clarity and structure that keeps the audience engaged. Regan’s choice to have the male cast play female roles adds a fresh comedic twist that has the audience laughing throughout. Though this humour could easily fade, the cast brings each character to life with such distinction and energy that they remain captivating from start to finish.

The minimal set choices are a strong element of the performance. The production relies on inventive use of the actors’ bodies and movements to create set pieces, including the pirate ship itself. This approach enhances the theatricality of the show and adds to its playful, imaginative spirit, drawing the audience into the world of Pirates of Penzance in a unique way.

David McKechnie stands out as the Major General, delivering the iconic “I Am the Very Model of a Modern Major-General” with rapid wit, unflagging energy, and impeccable timing. His dynamic portrayal – moving from confident to guilt-ridden– keeps the character engaging and full of surprises.

Casting all men in this traditionally mixed-role opera is a daring move, especially given the challenging vocal range of some parts. Luke Garner-Greene’s performance as Mabel is particularly memorable, hitting high notes with ease and emotional weight that leaves the audience in awe. Though some lyrics are occasionally hard to catch, the technical capability of the cast is exceptional and undeniably impressive.

Choreographer Lizzi Gee’s dances are lively and varied, perfectly synchronized with the music and characters. The comedic timing of the choreography elevates the performance, as the cast dances with precision in corsets and dresses, adding another layer of visual humour.

Overall, Pirates of Penzance at Wilton’s Music Hall is a vibrant, clever, and thoroughly entertaining production that leaves the audience in stitches with its fast-paced, quick-witted spin on this beloved opera.

At Wilton’s Music Hall until 23 Nov 2024

★★★★

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