A Christmas Carol, Northern Stage Review

Reviews

10 Dec

A Christmas Carol at Northern Stage. Photo by Ellie Kurttz

Written by Stacy for Theatre and Tonic

Disclaimer: Gifted tickets in exchange for an honest review

Northern Stage's festive offering is always a welcomed moment in the diary and this year's show, A Christmas Carol, delivers a fresh and festive reimagining of Dickens’ classic story, blending traditional charm with innovative theatrical elements, and a generous sprinkling of Geordie charm served on the side.

Directed by Natalie Ibu, the production is visually and emotionally engaging, featuring Newcastle landmarks as part of its setting and embracing themes of redemption, generosity, and joy. The immersive theatre in traverse allows audiences to feel part of the action, while creative lighting (Robbie Butler) and set design by Debbie Duru enhance the atmospheric transitions between Scrooge's grim reality and the magical world of the spirits.

The performance opens on a high note with carol singers laying down a harmonious rendition of Wham's Last Christmas and Maria Carey's faithful festive banger....before the story sets upon a Victorian Northumberland Street with a Geordie Greek Chorus of storytellers setting the scene. Dressed in contemporary clothing this modern chorus creates a juxtaposition between the old and the new to add nuanced layers to a classic tale.

Adapted by Karen Louise Hebden, the narrative makes several interesting choices. The Crotchet's are a black diaspora family and Scrooge's nephew Freddie is now Frederica complete with a wife. Ibu states that "the story’s the same, but who's in that story has changed and that adds new and interesting layers."

Michael Hodgson’s portrayal of Scrooge captures his initial gruffness and gradual transformation beautifully. The supporting cast of characters shines with dynamic performances, particularly in their multi-rolling, complemented by music that fuses jazz, gospel, and traditional carols. This modern musical twist invigorates familiar tunes, adding a festive and soulful layer to the production. The talented ensemble includes Gabriel Akamo, Taku Mutero, Gigi Noel-King, Alicia McKenzie, Holly May Austen and Benjamin Storey, to bring energy and diversity to the production, enlivening the story with vibrant characters and compelling performances. Malik Ibheis' unique approach to Marley and the spirits was certainly a highlight, capturing an eerie and ethereal feel to the piece. With his background in physical theatre and mime, Ibheis brings a mesmerising physicality and expressiveness to the roles of the Ghosts of Christmas Past, Present, and Yet to Come. His nuanced performances, enhanced by dynamic costumes and lighting, embody the supernatural elements of the story with grace and theatrical flair. Each spirit is portrayed with distinct energy: haunting, exuberant, or foreboding, leaving a lasting impression on the audience

The overall staging, designed by Duru, embraces sustainability by repurposing costumes and sets from previous productions to align with Northern Stage’s commitment to eco-friendly practices, while the Pay It Forward initiative ensures inclusivity by providing access for underprivileged young audiences.

A joyful and visually stunning reimagining of A Christmas Carol, Northern Stage delivers festive magic, heartfelt storytelling, and a truly immersive theatrical experience.