Charlie and the Chocolate Factory at the Core Theatre Solihull Review
Written by Emily H for Theatre and Tonic
Disclaimer: Tickets were gifted in return for an honest review. All views are our own
Amateur theatre at its best is driven by passion, creativity, and a real sense of community, and Peterbrook Players’ Charlie and the Chocolate Factory is a joyful example of exactly that. A reimagining of a story we all know and love, this production delivers a vibrant and imaginative evening full of colour, character, and charm.
Leading the cast with gusto, Matt Barnard offers a bold and distinctive take on Willy Wonka. Whilst leaning into Wonka’s more sinister and unpredictable nature, his portrayal feels fresh and engaging, and still allows moments of softness to shine through. It’s a confident performance that carries the production and gives it a unique edge.
Oisin Kelly gives a beautifully sincere performance as Charlie Bucket. He captures Charlie’s innocence and warmth with great sensitivity, and his singing voice is particularly impressive for such a young performer. Paired next to Barnard’s Wonka, you have a duo full of heart, and one that anchors the show effectively.
Among a strong ensemble, Ann Bloomer and Jude Maskell are undeniable standouts as Mrs Green and Jerry Jubilee. Though supporting roles, they consistently steal the spotlight with impeccable comic timing and a natural ease on stage that keeps the audience laughing throughout Act 1.
Each of the golden ticket winners was also well paired with their adult counterpart, the duos working together to create bold and engaging characters. Iona Cameron’s Augustus Gloop in particular stood out as a memorable and well-played performance.
Visually, the show is inventive and thoughtfully put together. The set, while minimal in places, is used effectively, with the large upstage screen helping to unify the world. Creative flourishes such as candy floss bushes and bubble haze are particularly successful, showcasing the imagination and effort of the props and backstage team. Costuming is equally detailed and characterful, with touches like delightfully holey socks contributing well to the storytelling and overall aesthetic.
Abi Harvey’s choreography also adds real energy to the production, supporting the storytelling and making excellent use of the ensemble. Alongside the superb direction of Paula Whitehouse (who also doubled onstage as Mrs Gloop and offstage as Musical Director), the show feels cohesive and confident, with a clear vision that embraces both the whimsy and darker edges of the story.
The chorus equally deserves recognition for their lively and committed performances. Their colourful, slightly chaotic presence fits perfectly within the whimsical madness of the show, helping to create a cohesive and engaging ensemble.
There are, however, a couple of areas that would benefit from further polish as the run continues. At moments, scene transitions felt very exposed, with fully-lit stage crew occasionally drawing us temporarily out of the action. Lyrics and dialogue were also sometimes hard to follow due to the slightly wordy nature of the score, though with a little more clarity of enunciation, this is easily remedied.
Overall, this is an ambitious and entertaining production that showcases a wealth of talent within Peterbrook Players. With a few technical refinements across the run, Charlie and the Chocolate Factory promises a delightful theatrical experience brimming with pure imagination.