Hercules at Theatre Royal Drury Lane Review
Photo by Matt Crockett
Written by Emily D for Theatre & Tonic
Disclaimer: Gifted tickets in exchange for an honest review
Hercules has struck the West End with a thunderbolt. The Disney classic, by Alan Menken, David Zippel, Robert Horn, and Kwame Kwei-Armah, has landed at Theatre Royal Drury Lane. An iconic production in an iconic venue.
Following the familiar tale of Zeus’s son stolen from Olympus and raised on Earth, Hercules explores identity, belonging, and love, all with a vibrant, slightly tongue-in-cheek twist. While the story has emotionally resonant undertones, the production keeps things light, energetic, and crowd-pleasing, with audiences tapping along to its beloved soundtrack from start to finish.
From the ticket design to the towering Grecian pillars that tower above the stage, this show fully immerses the audience in a mythological world. The set is phenomenal. Transitions between Earth, Olympus, and the Underworld are seamless and fluid, aided by dynamic screens and rotating columns that double as architectural features and clever scene-shifters.
Luke Brady, as Hercules, delivers a grounded and heartfelt performance. His vocals are steady and sincere, and he holds the stage with confidence. At times, the character felt a touch too polished, lacking the vulnerability that might deepen the emotional journey, but the wide-eyed charm and ambition we know from the Disney film are there throughout.
Meg, played by Mae Ann Jorolan, is a powerhouse. With a fierce voice and fierce attitude, she nails the sassy independence that defines the character. Some moments verged on overly rehearsed or slightly forced, but that may owe more to the script than the performer. Her rendition of ‘I Won’t Say I’m in Love’ was a highlight, blending beautifully with the muses and offering a rare moment of emotional openness.
Speaking of the muses, they are the unequivocal stars of the show. Candace Furbert, Sharlene Hector, Brianna Ogunbawo, Malinda Parris, and Robyn Rose-Li bring electric energy, razor-sharp comic timing, and vocals that could bring down Mount Olympus itself. Their harmonies, movement, and sass bring joy into the production and ensure the audience never forgets who’s really telling this story.
Choreography by Casey Nicholaw is another high point. ‘Zero to Hero’ is a particular standout, with slick, athletic dancing that elevates the number to a spectacle. Comedy lands with precision throughout, especially from Hades, played by Stephen Carlile, who steals scenes with effortless charisma, perfect timing, and just the right amount of camp. A villain the audience truly loved to hate (or maybe just loved).
‘Go the Distance’ had all the emotional weight expected, though a delayed spotlight slightly undercut the moment’s impact. Still, the music throughout is rich and engaging. Costume design by Gregg Barnes and Sky Switser also deserves credit, as it cleverly blends ancient silhouettes and modern flair, giving the gods a fresh 21st-century twist.
In all, Hercules is a bold, joy-filled spectacle. Leaning into its showbiz style, it’s impossible not to be swept up by its energy, humour, and heart. A myth brought to life with thunder, lightning, and a whole lot of soul.
Hercules is playing at Theatre Royal Drury Lane until 28 March 2026
★ ★ ★ ★
