Holy Fool at the Park Theatre Review
Photo by Marc Douet
Content warnings: Contains strong language, smoking, haze, flashing lights, loud noises / sudden sounds and references to war and torture
The reign of Joseph Stalin in Russia marked one of the most oppressive regimes of the 20th Century. From stringent economic policies to mass purges and executions, life for the Russian people was a challenge to say the least. In Holy Fool, we get a glimpse into the life of Dmitri Shostakovich. A celebrated composer of the time, we follow him as he navigates the constant threat of torture and death, composing music that could be seen to criticise and challenge Stalinism. A slippery slope and one that is dramatised well in this production.
Early on, Shostakovich (Benjamin O’Mahony) is interrogated following the condemnation of his opera, “Lady Macbeth of the Mtsensk District”. Whilst initially well received, it was later slammed in the press as vulgar and critical of Soviet values. This is the first time the severity of the regime is shown to the audience and technical elements are used for emphasis. Shostakovich appears in a spotlight and recorded voices of guards/members of the military are played as part of the interrogation. This whole sequence almost feels claustrophobic and is highly impactful.
The cast is completed by Jenna Augen (Shostakovich’s wife, Nina) and Fergus O’Donnell and Phoebe Pryce, who play a few different roles between them. All three actors command the stage well. O’Donnell’s humorous portrayal of a devoted fan, early on in the production, is memorable and Augen gives a well-rounded performance as Nina, bringing some additional humour at times. Pryce’s key character is Katya, who we first meet as a young girl, entranced by Shostakovich’s music. She makes a few more appearances throughout the course of the production and we learn that, for the purposes of this story, she is the reason he decided to perform his fourth symphony, having hidden it away for years. Pryce, as Katya, gives a heartfelt performance.
For any history buffs and fans of classical music, this is the show for you. It covers a period of about 40 years, give or take, and there is a lot to take in over a short space of time. Some prior knowledge of the historical context would be an advantage.
I’m ashamed to say I wasn’t hugely familiar with Dmitri Shostakovich, or his work, prior to seeing this production. I’m glad that I am now. Whilst some scenes are a little drawn out, this is an interesting look at one man’s struggle to continue making music, and stay alive, in turbulent times.
★★★
Written by Emily for Theatre and Tonic, September 2026.