Macbeth (Filmed Live at Donmar Warehouse) Review
David Tennant and Cush Jumbo in MACBETH. Photo by Marc Brenner
Written by Philip for Theatre and Tonic
Disclaimer: Gifted tickets in exchange for an honest review
The Donmar Warehouse’s smash hit production, Macbeth, flies into cinemas this February. Starring David Tennant and Cush Jumbo, the production was also lucky enough to transfer to the West End after its initial run at the Donmar. It was lauded by critics and fans alike for its brilliant use of technology to enhance the show - but does this translate as well to the big screen?
In the theatre, this production puts the viewers directly into the minds of the central figures by harnessing binaural technology and pumping sound directly into the audience’s ears using headphones. Director Max Webster and sound designer Gareth Fry worked closely to make sure the effect was as perfect as possible. This collaboration resulted in a 3D soundscape. A world of witches and whispers. Taking you into the most intimate thoughts of the Macbeths. An assault on the ears as you squirmed and squealed at hearing exactly what was happening even in moments of pitch black. While this is not achievable in a cinema setting, the use of surround sound helped to create a similar effect.
The central performances by David Tennant and Cush Jumbo as Lord and Lady Macbeth respectively are just as astounding on the big screen as they are in person. Though the expressions are a little bigger than you’d normally expect to see when delving into someone’s head in the film - it feels very theatrical. Like you are still sat in that theatre but being able to see each bead of sweat and every furrowed brow. The camera angles add new depth, allowing you some moments to appreciate the exquisite musicians up close and fleeting glimpses of the sound operator. It all adds another layer to the production. You actively watch Macbeth’s descent into madness. Tennant is chilling as the title character. He is devoid of a moral compass and is simply terrifying as he manipulates all around him. Jumbo is equally as dangerous as the calculating Lady Macbeth. A match made in heaven or hell depending on your perspective. The rest of the cast are glorious in this masterful revival of the Scottish play.
Having seen the production live on stage and now this filmed version I can say that a touch of the magic has been lost. Not much but a little. When I saw it live at the theatre, the atmosphere was utterly haunting. Sitting in the dark with a cacophony of different sounds immediately puts you on edge. The lack of headphones, individual soundscapes, and the ability to go pitch black means you lose some of the terror of the events unfolding in front of you. But the cameras do add a new perspective. It is a gloriously slick production.
This is still a must-see. It is a Shakespearean masterclass and is definitely worth a look. Though elements of production do not translate completely from stage to screen, new dimensions are found with the addition of the cameras. Every thought and nuisance is captured for all to see.
Macbeth is in cinemas from 5th February 2025.
★★★★
