NOW That’s What I Call A Musical, UK Tour Review (2024)
Written by Emmie for Theatre and Tonic.
Disclaimer: Gifted tickets in return for an honest review. All opinions are our own.
Celebrating its 40th anniversary in 2023, the NOW That’s What I Call Music compilation tapes are certainly nostalgic for many generations. As part of a UK and Ireland tour, a new jukebox musical brings together the iconic hits of the 80s with a heartwarming story of friendship that is sure to resonate with many. Written by Pippa Evans and directed and choreographed by Craig Revel Horwood, NOW That’s What I Call A Musical follows Gemma and April, two best friends at two pivotal moments in their lives.
Led by Maia Hawkins (Younger April), Nikita Johal (Younger Gemma), Melissa Jacques (April) and Nina Wadia (Gemma) - the two young best friends are oozing with ambition and dreams whereas seeing them 20 years later, whilst at a school reunion the realities of being adults weighs heavily on their shoulders. NOW That’s What I Call A Musical showcases how friendships can be driven apart but fundamentally can come back during the most difficult of times too, with the help of one of their music icons, which in this production was Sinitta. There are certain themes within this show that can resonate with audiences but with an added sprinkle of some of the greatest hits from the 80s, including “Video Killed The Radio Star”, Girls Just Wanna Have Fun” and “Sisters Are Doing It For Themselves” that will certainly have you bopping in your seat.
Set simultaneously in Birmingham in 1989 and 2009, the plot is very loose and relies heavily on the musical numbers integrated into it. While this show has great potential, the songs often feel shoehorned into the storyline, not always delivering as smoothly as I’d expect (obviously this is sometimes the case with jukebox musical territory!). There are some very realistic and heartfelt moments, with one of reflection particularly drawing some real attention.
The ensemble works exceptionally hard, managing numerous set changes to shift between past and present, all while performing the big musical numbers. There were times when the choreography wasn’t as fluid and executed as slick as I would have hoped with this scale of production. I have faith that they will collectively become a lot stronger throughout the tour.
The production’s strength largely comes from the lead cast, whose impressive vocal talent and storytelling captivate the audience, keeping them engaged throughout the show. The characters overall are likeable and relatable, including Chris Grahamson’s villain-esque character Tim who gets a lot of reception from the audience who lap up the opportunity to be shocked by his behaviour.
Overall, whilst NOW That’s What I Call A Musical doesn’t offer anything new to the jukebox musical archive, where it will thrive with audiences is for some 80s nostalgia and an enjoyable dose of escapism! Just what we need as the nights draw in.
On a UK tour until April 2025.
☆ ☆ ☆