The Harder They Come, Stratford East Review
Written by Philip for Theatre & Tonic
Disclaimer: Gifted tickets in exchange for an honest review
Returning to Stratford East nearly two decades after its original run, ‘The Harder They Come’—based on Perry Henzell’s seminal 1972 film—bursts back onto the stage in a vibrant new adaptation. This reimagined version features the timeless music of reggae icon Jimmy Cliff, alongside original compositions and a new book by Pulitzer and Tony Award-winning playwright Suzan-Lori Parks.
Set in 1970s Kingston, Jamaica, the story follows Ivan, a young man with big dreams of breaking into the music industry. He leaves his rural home not to reunite with his estranged mother, but to chase fame and success on his own terms. Despite his mother’s stern warnings to return home, Ivan remains undeterred. He finds work as a handyman for a local preacher and soon falls for Elsa, a pious and spirited young woman. Their blossoming romance provokes jealousy and rage in the preacher, who also harbours feelings for Elsa, leading to a violent confrontation and Ivan’s first run-in with the law.
Undeterred, Ivan records a single—‘The Harder They Come’—but when offered a paltry sum of $20 by music mogul Mr. Hilton, he refuses to be exploited. Ivan attempts to promote the track independently, but quickly discovers that Hilton controls every corner of Kingston’s music industry. As he pushes back against the powerful figures blocking his path, Ivan spirals into a cycle of resistance, rebellion, and retribution—becoming a reluctant outlaw and folk hero in the process. The narrative weaves together themes of ambition, systemic injustice, and social inequality, painting a stark portrait of 1970s Jamaica, rife with corruption and poverty.
Parks' book crackles with wit and urgency, layered with authentic Jamaican Patois that lends richness and specificity to the world. While her original songs are effective, they occasionally struggle to match the magnetic pull of Cliff’s legendary hits. You can’t say the music isn’t filled with soul and funk though as they all have that in bucket loads both new and original. The script ambitiously tackles a sprawling narrative arc, which at times results in abrupt time jumps and skipped beats in the action. A slightly leaner version—perhaps trimmed by ten minutes—might allow the story to breathe more evenly and feel more tightly focused.
Shelley Maxwell’s choreography is a standout—dynamic, precise, and brimming with cultural texture. Jason Kenny’s set design is both clever and immersive, transforming the stage into a bustling vision of Kingston. Matthew Xia’s direction is sharp and assured, guiding the production with energy and clear-eyed vision. The synergy among the creative team is palpable; this is a production shaped with deep care and craft.
The ensemble cast is nothing short of exceptional. Natey Jones leads with commanding presence as Ivan, effortlessly balancing the character’s defiance with moments of touching vulnerability. As Elsa, Madeline Charlemagne delivers a quietly powerful performance, gracefully evolving from timid churchgoer to resilient partner. Danny Bailey brings irresistible charm as José, Jason Pennycooke is both menacing and darkly humorous as Preacher and Josie Benson gives a moving portrayal of Ivan’s mother, Daisy. Across the board, the performances are vibrant, committed, and electric.
This production gets so much right. It’s a compelling, high-energy musical that pulses with passion and purpose. A thrilling blend of political commentary, musical legacy, and dramatic heft—‘The Harder They Come’ is a must-see. Catch it at Stratford East before it closes on Saturday 25th October 2025.
★★★★
