The Railway Children at Tabard Theatre Review
Written by Emily for Theatre & Tonic
Disclaimer: Gifted tickets in exchange for an honest review
Edith Nesbit’s classic story is brought to life this festive season at the Tabard Theatre in West London. The 1970 film version is how many people were introduced to the timeless tale, but the millennials amongst you may be more familiar with the film from 2000. Either way, The Railway Children is heartfelt, moving, funny in places, and the entire team involved in this stage adaptation have created something to be extremely proud of.
From the moment Jay Olpin, as Perks the Station Porter, enters the space, we are completely absorbed. He begins to narrate the story, and then we are introduced to the central characters. Siblings Bobbie, Peter and Phyllis have moved with their Mother from London to Yorkshire, following their Father’s false imprisonment. The dynamics between the siblings are quickly established, with all three actors skilfully portraying children/teenagers. Anya Burlton provides much of the humour as the youngest of the three, Phyllis, whether it be through bickering with her brother or displaying childlike glee. Emma Rowe portrays the eldest sibling, Bobbie, with sensitivity and is a joy to watch. Max Pascoe, as Peter, is delightful. He strikes the right balance between showing his character’s sense of responsibility to be the “man of house” in the absence of his Father, and presenting his childish side.
Kirsten Shaw delivers a lovely performance as the Mother and there is a very touching scene between her and eldest daughter, Bobbie, towards the end of the production. Jay Olpin is an energetic Perks and, completing the cast, is Christopher Laishley, who plays a variety of roles with great skill, including the Old Gentleman. This is a particularly charming portrayal, capturing the kindness of a man who helps the family when they are in need.
The set is simple, but works well with the production. Lighting is atmospheric when needed and is utilised effectively, particularly when Act 1 reaches its climax. Sound elements include music during scene changes, helping to retain the flow of the story, and steam engine noises. Although there is never anything physically on stage to represent a steam engine, the reactions from the actors, sound, lighting and other technical elements ensure we are completely immersed in their world and can really imagine this extraordinary engine.
Whether you’re familiar with the story of The Railway Children or not, this production has a lot to offer in the just under two hours it runs for. From beautiful acting, to simple, yet intriguing, creative elements, it’s sure to captivate adults and children alike.
At The Tabard Theatre until 3rd January 2026
★ ★ ★ ★ ★
