The Tiger Who Came To Tea, UK Tour Review (2024)
The Tiger Who Came To Tea production image. Photo by Pamela Raith
Reviewed by Stacy for Theatre and Tonic
Disclaimer: Gifted tickets in exchange for an honest review
A very special guest made an appearance in South Shields this week as David Wood’s stage adaptation of The Tiger Who Came to Tea visited the Custom’s House. This play brings Judith Kerr’s beloved children’s book to life in a playful and visually engaging production. Perfect for younger audiences, this adaptation stays true to the warmth and simplicity of the original story, while adding delightful theatrical elements that create an immersive experience.
The plot follows Sophie and her mother as they sit down for tea, only to be visited by a large, hungry tiger who proceeds to devour everything in sight. Wood captures the essence of Kerr’s story, retaining the gentle humour and charm that has made it a cultural touchstone that has passed through generations. The adaptation doesn’t attempt to overcomplicate or modernise the narrative, instead celebrating the joy of the unexpected and the magical possibilities within everyday life.
Visually, the production is a feast for the eyes. The set design by Susie Caulcutt is vibrant, recreating Sophie’s home in a way that feels both nostalgic and familiar. The brightly coloured kitchen and its exaggerated features are reminiscent of the storybook, immediately drawing young viewers into the world of the play. The tiger itself, realised through an impressive bold costume, is a standout—large, expressive, and completely non-threatening, making it an exciting figure for children without any risk of fear. It’s like seeing Kerr’s illustrations walking around on stage.
The performance is perfectly pitched for a young audience. Sophie (Tia Bunce), played with youthful enthusiasm and innocence, is a character children can easily relate to, and her wide-eyed wonder at the tiger’s antics captures the heart of the story. Sophie’s mother (Katie Tripp) brings humour and warmth, reacting with bemused acceptance to the tiger’s ridiculous hunger. The tiger (Scott Howlett), a mischievous but friendly character, steals the show with his larger-than-life presence and comic timing.
David Wood’s script cleverly expands on the original 1968 text without losing its simplicity. By incorporating light-hearted songs and musical interludes, Wood adds energy and variety to the show. These musical numbers, while not overly complex, are catchy and engaging, allowing children to clap along and interact with the story and the young audience in today were roused with unbridled excitement, hanging onto each and every word - an extremely heartwarming experience. The play thrives on this interaction, with moments designed specifically for audience participation, further enhancing the excitement for the young theatre-goers.
What’s particularly effective about the production is its pacing. At just under an hour, the play is short enough to hold the attention of its young audience without feeling rushed. The repetitive, rhythmic structure of the clock and the doorbell helps build anticipation and amusement, while also keeping the storyline simple and accessible, rousing the audience to a frenzy until the ultimate doorbell - when a tiger eventually comes to tea.
While the show is clearly aimed at the under-fives, there are moments of gentle humour that will amuse accompanying adults as well. The play doesn’t delve into any heavy themes but instead offers a pure, feel-good experience that celebrates imagination and the fun of unexpected adventures. There’s a nostalgic appeal for parents, who may have fond memories of reading the book themselves, making this production a delightful shared experience for families with a friendly tiger who, despite his large appetite, is ultimately a guest everyone would love to have at their tea party.
The Tiger Who Came to Tea is a charming and whimsical piece of children’s theatre that stays true to the spirit of Judith Kerr’s classic, delivering a delightful, energetic, and visually appealing performance that captures the imaginations of its young audience. It’s an ideal introduction to theatre for little ones, offering a gentle, engaging, and magical experience that will leave them smiling. David Wood’s adaptation is a lovingly crafted, enchanting piece of theatre that remains faithful to its source material while creating an immersive, interactive experience for young audiences. It’s a must-see for families looking for a heartwarming and joyful theatrical outing.
On a UK tour until January 2025.
☆ ☆ ☆ ☆ ☆
