Emerald Storm at Emerald Theatre Review
Emerald Storm production image. Photo by Nick Brooker
Written by Philip for Theatre & Tonic
Disclaimer: Gifted tickets in exchange for an honest review
Returning to the Emerald Theatre after its week-long run in September, Emerald Storm once again dazzles with exhilarating choreography delivered by a company of exceptional performers.
Co-produced by Hollywood and West End favourite Adam Garcia, the show blends tap with traditional Irish dance to create a high-energy fusion that rarely stops to catch its breath. The relatively new Emerald Theatre—a lavish nightclub-turned-performance venue—proves an aptly named setting. Though unconventional compared with traditional West End houses, its intimate, warmly lit space, complete with sofas, tables, and high stools, lends the production an inviting and immersive atmosphere. However, this configuration does pose challenges: unless seated in the tiered section or balcony, sightlines to the dancers’ feet are occasionally obstructed—an unfortunate drawback for a dance-centric show. The triangular stage, bordered by footlights, is a charming touch but further complicates visibility. Visually, though, the design impresses; the opulent set, anchored by a striking emerald swirl symbolising the impending storm, gleams against rich gold tones.
The show offers a dynamic blend of old and new—traditional Irish choreography accompanied by folk arrangements, contrasted with contemporary tap sequences set to a modern pop soundtrack. With vocals provided by Britain’s Got Talent’s Tom Ball and a group of eight female vocalists. The loose narrative follows two rival troupes whose playful competition evolves into unity as they merge their styles. Olivia Graydon, a Lord of the Dance alumna, leads the Irish ensemble with exquisite precision and fiery footwork, dancing with both grace and formidable power. Opposite her, America’s Got Talent standout Bayley Graham heads the tap troupe, bringing charisma and a distinct rhythmic flair. Together, the entire ensemble is a tour de force: every routine is crisp, polished, and more electric than the last.
Musically, the evening begins with a live band during the pre-show, transitioning to pre-recorded music for the main performance. While effective, the reliance on backing tracks feels like a missed opportunity—particularly when such skilled musicians are present in the venue. Apart from one brief sequence featuring a live percussionist, the production leans heavily on recorded sound. Tom Ball’s vocals, however, are a highlight; his tone is rich and effortless. The second male vocalist also delivers a lovely performance. The eight female vocalists sing beautifully, but their roles often amount to providing backing harmonies for Ball—raising the question of whether such a large ensemble is necessary.
Narratively, Emerald Storm offers only the lightest of storytelling threads—essentially a tale of two dance styles clashing, competing, and ultimately harmonising, punctuated by comedic moments and occasional vocal numbers. While the show bursts with heart, skill, and sheer talent, a clearer, more fully realised story could have elevated it further. Storytelling is so utterly important.
Nevertheless, Emerald Storm remains a compelling fusion of styles and a vibrant showcase of extraordinary performers. For the talent alone, it is well worth experiencing. Bravo!
Emerald Storm is playing at Emerald Theatre until 15th December
★ ★ ★
