Fallen Angels at Menier Chocolate Factory Review
Written by Becky K for Theatre & Tonic
Disclaimer: Gifted tickets in exchange for an honest review
Menier Chocolate Factory presents the great Noël Coward’s comedy, ‘Fallen Angels’ this winter. First performed exactly 100 years ago, director Christopher Luscombe keeps the original charm of Coward’s text. Fallen Angels is a lighthearted romp that’s suspended by strong female performances, yet ultimately feels a bit stuck in time.
The story follows two best friends, Julia (Janie Dee) and Jane (Alexandra Gilbreath), who are both happily settled in their marriages yet miss the passion they once had. When they receive word from an ex-lover, one with whom they both previously had an affair, Julia and Jane’s competitive streak ignites. Their longing for the excitement of their past soon gets in the way of their friendship, leading to a series of dramatic shenanigans.
Simon Higlett’s set is a treat for the eyes. Set in a luxurious 1920’s home, the living space is filled with high-quality, art-deco furniture, completed with a baby grand piano and vintage record player. Likewise, Fontini Dimou matched the set with glamorous costumes, that were never lacking in accessories or detail.
Dee does a marvellous job as the principal, graciously dictating the narrative with poise and humour. Her dry comedy is matched perfectly with Gilbreath’s Jane, who is hyperbolic and slapstick. Their drinking and bickering are very easy to watch, making the pair a great double act. These strong female performances are capped off by Sarah Twomey, who plays the classic trope of the know-it-all housemaid Saunders. Multi-talented at music, dance and languages, Twomey performed all of these talents endearingly, and was certainly a crowd favourite.
When Fallen Angels was first performed in 1925, Coward was met with controversy at his ‘vulgar’ explorations of female sexuality and riotous behaviour. Yet watching it now, it’s hard to believe the original outrage, as the whole production felt rather inoffensive. While it’s understandable not to be shocked by concepts of pre-marital sex, female sexuality, and drunkenness in performance now, perhaps there’s room for Luscombe to adapt and modernise to uphold to challenge relationship standards of the modern day. Luscombe’s too the books approach to Fallen Angels is therefore slightly dated and one-tone.
Performing at Menier Chocolate Factory until 21 February 2026, Fallen Angels is a thoroughly entertaining revival one of Coward’s less famous comedies - one that is proving popular with its target audiences.
★ ★ ★
