Beauty and the Beast, Forum Billingham Review
Written by Stacy for Theatre and Tonic
Disclaimer: Gifted tickets in return for an honest review
Last night I was swept straight into the playful storytelling of Beauty and the Beast at the Forum Billingham, where the lively narrative bounced along with a confidence that knew exactly when to charm the children and when to wink at the adults. The script spun the familiar tale into something silly yet still sincere, layered with local references and flashes of popular culture that kept the audience audibly engaged from start to finish.
At the centre of the chaos, Tom Rolfe as Tommy Teacup and Stee Leahy as Tilly Teapot, formed a double act that genuinely crackled with chemistry. Their timing felt instinctive, their exchanges had a musical rhythm, and even their little outtakes had me crying with laughter. Musicality really was at the heart of this production, with Lauren Teal giving Belle a warmth and sincerity that grounded the comedy, while Jake Mason shaped the Beast into a character who balanced gruffness with surprising tenderness.
The comedy kicked up another gear whenever Richard Dawes charged on as Gaston, delivering a performance that revelled in camp masculinity and swung effortlessly between exaggerated bravado and perfectly judged humour. In contrast, Linda Newport gave the Enchantress an elegant authority that cut cleanly through the silliness. At the same time, Mick Liversidge made Maurice irresistibly endearing with wonderfully expressive reactions that landed every time.
The ensemble of Jess Houseman, Maddy Radin, Molly Nugent, and Caitlin Godfrey added an extra layer of sparkle. The choreography was captivating, their presence magnetic, and the execution technically sharp, which gave even the transitions a touch of magic. Their energy never dipped, their formations stayed crisp and confident, and together they gave the whole production a polished gloss that lifted it well beyond simple seasonal fun.
What stood out was how confidently the show embraced its role as a half term treat. It never pretended to be anything other than a joyful panto. Yet, within that frame it delivered strong vocals, sharply timed comedy, and a story that moved briskly without losing its heart. By the final bows I felt I had watched a company that understood exactly what its audience wanted and delivered it with determination. All in all, Beauty and the Beast is your official prescription for the February blues and a panto definitely not to be missed.
On until 25th February
★★★★
