REVIEW | Stephen Sondheim’s Old Friends, Gielgud Theatre

★ ★ ★ ★ ★

Reviewer - Eleanor

*Disclaimer: Gifted tickets in return for an honest review

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For this series of staged concerts, an all-star cast has come together to celebrate the life and work of legendary composer Stephen Sondheim. Devised and produced by Cameron Mackintosh, Stephen Sondheim’s Old Friends showcases some of his most well-known works; from Company and Gypsy to Sweeney Todd and West Side Story. Led by Broadway legends Bernadette Peters and Lea Salonga, this exception cast is also comprised of Christine Allado, Clare Burt, Janie Dee, Damian Humbley, Bradley Jaden, Bonnie Langford, Gavin Lee, Jason Pennycooke, Joanna Riding, Jeremy Secomb, Jac Yarrow, Marley Fenton, and Beatrice Penny-Touré.

Before attending the show I had some knowledge of what to expect, as I had watched the filmed version of the concert from 2022. But to hear the likes of Lea, Bradley, Gavin and Bernadette in person was an absolute joy. The song choices throughout were rich and varied and everyone gave such polished performances. Stephen Sondheim’s Old Friends was stellar in every sense.

The show begins with a pre-recorded foreword from Cameron Mackintosh accompanied by some engaging projections at the top of the stage. As Bernadette Peters and Lea Salonga enter the stage to rapturous applause, it is explained that the song list for the evening was chosen by Mackintosh from shows he worked on with Sondheim during their friendship and career - and what a selection of songs! The first half was peppered with recognisable show tunes, alongside others which were less familiar to me. Some highlights for me included ‘The Little Things You Do Together’, ‘The Ladies who Lunch’ and the relentless ‘Getting Married Today.’ In each of these, the actors were able to convey so much with so little, which is a testament both to their excellent performances and the talent of Sondheim himself. The solo performances of Lea and Bernadette in this first half were, as you may expect, just magical. ‘Send In The Clowns’ was deeply moving and Lea’s Mrs Lovett was pitch perfect.

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The entire production of Stephen Sondheim’s Old Friends was very refined. The outfits worn throughout were monochromatic and all very glamorous (designed by Jill Parker). It really made the evening feel special. But in some cases further details were added, such as tunics for A Funny Thing Happened on the Way to the Forum, or swapped out for full costumes entirely, such as the red cape from Into the Woods. In a concert setting, these changes really helped to shift the focus from one show to another, especially in instances when members of the audience may not be as familiar with the material. I was also particularly impressed with the lighting choices, designed by Warren Letton. The colours and tones subtly changed to fit the mood of each song, slowly swelling to a crescendo as the songs did. On other occasions, this occurred more suddenly for dramatic effect. This perfect synergy worked so well to heighten each performance.

As the second act opened, a longer section was first given to the orchestra to perform a selection of songs which were not performed in full as part of the concert. This impactful moment really made me focus on the music itself and celebrate Sondheim's composition, not just his lyrics; putting a spotlight on the orchestra itself (led by Alfonso Casado Trigo), who are on view for the entirety of the show. Once again, the songs chosen here are just as strong and varied as the first half. In one moment the audience is in fits of laughter, the next a quiet silence. I am a massive fan of Gavin Lee’s work and he did not disappoint. He oozes musicality and is such a pleasure to watch, especially when given a dance number like in ‘Everybody Ought To Have A Maid’. In addition, Bonnie Langford was her bright and bubbly self and her rendition of ‘I’m Still Here,’ with its meaningful lyrics and tonal shift from the previous number, was a real high point.

Special mention must be made to the set used in Stephen Sondheim’s Old Friends. Designed by Matt Kinley, this consists of two sets of stairs leading down to the main stage, creating different levels for the actors to use. But in some songs, this is supplemented by additional wings, which are pulled onto the stage. This worked most effectively during the Sweeney Todd and West Side Story segments. For more classic numbers, there was a small set of curtains which came down from the ceiling to give the impression of a smaller stage. All these elements helped give a greater sense of place and supplemented the exceptional acting and singing performances.

The show concludes with a video of Sondheim at the piano and some images of his life as the cast sing ‘Not A Day Goes By.’ As they all sing to the screen, rather than out to the audience, this made for a truly moving ending to a wonderful evening.

Overall, Stephen Sondheim’s Old Friends is an incredibly strong show. Not only is this because of the songwriting talent of the man himself but also the exceptional performances from every single member of the cast. No matter your favourite Sondheim show, I don't think you would be disappointed. I myself felt incredibly lucky to have seen the likes of Lea Salonga perform some of my most-loved songs. This concert is also the perfect way to become more familiar with the breadth of Sondheim’s work. I really would recommend this show to anyone who is able to see it.

Stephen Sondheim’s Old Friends is running at the Gielgud Theatre from 21st September 2023 until the 6th January 2024.