The Anti “Yogi” at Soho Theatre Review
Written by Cathie for Theatre and Tonic
Disclaimer: Gifted tickets in exchange for an honest review. All views are our own
When you read the word yoga, what first springs to mind? Is it Lycra-covered blondes drinking tumeric lattes in the latest trends, or is it a form of prayer and meditation formed from over five thousand years of culture and religion? The Anti Yogi show seeks to dispel the Western Yoga industry’s false narratives, which commodify and sanitise Yogic practises and instead bring the heritage, concept and ideals of Yoga to the forefront.
Written and performed by Mayuri Bhandari in a stunning one woman show, we see her youthful college version of herself studying an MA in Yoga Studies and finding her way through the struggle of modern single life in 21st-century Los Angeles. Her understanding and approach to yoga is shown through her experiences. Some of the most profound are shown with her Jain family, whether doing sun salutations with her father or singing calming mantras to insects who are at the end of their life. Her discussion of the wearing of the bindi with audience members was particularly heartfelt and profound, and it is clear how much her South Asian heritage and culture form her identity and ideals. This familial certainty is contrasted with the “othering” of her by college professionals and students who grift their way into a fitness empire. This is explored through Bollywood-style dancing and Bhandari’s interpretation of deities, including Buddha, Krishna and Kali. This is a sincere and respectful interpretation which delves into Western perspectives of their religious significance and practice versus those of individuals from these faiths.
Through all her soul searching and clashes with her former fellow students, Bhandari is happiest and closest to her yogic ideals when peacefully protesting to protect water sources along with the indigenous tribes in America. This show is more of a moral call to fight against the hypocritical practise of yoga and commodification of indigenous culture than a play, and at times comes across as a monologue. It is a beautiful exploration of its key theme; however, the subtle exploration of “othering”, racial discrimination, misogyny, empowerment and recognition of the strength and culture of indigenous cultures is brilliantly portrayed throughout. Shyamala Moorty & D’Lo’s direction is light and precise. This allows the show to truly shine in its righteous anger and keep its vivid passion throughout.
Neel Agrawal’s instrumental playing was a brilliant feature of this show, helping to emphasise pathos, spiritual moments and underscore some very funny jokes. The pacing of this show at only one hour keeps the audience captivated, and the exploration of what yoga means to Bhandari is dived into with vigour and enthusiasm.
Overall, this is a show which shines with sincerity. Its message of compassion, finding the true meaning of yoga and the joy of helping our community is beautifully captivating. Personal and deeply profound, this is a phenomenal addition to fringe theatre. A must-watch for anyone who wishes to truly understand both the power of yoga and the dangers of its commodification and reduction to simple stretches. If you enjoy profound and witty theatre, fantastic one women shows and meaningful productions, then this is the show for you.
The Anti “Yogi” plays at Soho Theatre from 6-16 May 2026
★ ★ ★ ★
