Interview: Veena Akama-Makia, La Traviata

Heart-rending arias meet harsh realities in the captivating production of La Traviata. Ahead of its run at Royal Opera House, we chatted with Veena Akama-Makia to find out more.

Could you start by introducing yourself and sharing how your passion for opera singing began?

My passion for opera ignited the moment I stepped into my first lesson with my incredible first voice teacher Mrs. Mary Wynston-Smith. Mrs. Smith didn’t just teach me how to sing; she introduced me to some of my favorite opera singers and completely transformed my understanding of storytelling. Her guidance opened my eyes to the emotional depth and expressive power of opera, sparking a lifelong love for this extraordinary art form.

As you advanced in your career, what key elements helped you succeed, particularly for aspiring singers?

As an opera singer, a few key elements that have been essential to my success are consistently refining my vocal technique, prioritizing both mental and vocal health, and upholding a high standard of professionalism. Equally important is building and maintaining a trusted network of people who not only support you but also advocate for you in spaces where you aren’t present. This combination can truly be transformative in advancing a career in opera.

This isn't your first performance at the Royal Opera House. What do you find most rewarding about returning to this iconic stage?

I enjoy the electrifying energy of the first stage and orchestra rehearsal. Something about all the elements of the production coming together takes things to another level. 

Could you tell me about your role in La Traviata and how you approached bringing this character to life?

I am singing the role of Annina in La Traviata. Officially Annina is the maid and confidante to Violetta Valéry but I think their relationship is deeper than that. I see her as a compassionate and resilient person who is fiercely loyal and would do anything for her friend Violetta. To bring the role of Annina to life I started by reading the libretto and translating my score. Since this is a revival, I then watched the original production so I am informed about how the original director envisioned my character. Then, I musically dive into the score. Once I feel satisfied with my independent study of the score, I coach the role until I feel confident in my interpretation. After that, the rehearsal period begins and then it’s a collaborative effort to bring what’s on the page to life.  

Opera is a deeply collaborative art form. How has working with the director, conductor, and fellow cast members in this production influenced your performance?

I have had an amazing experience collaborating with everyone involved in this production. I have learned so many things about how to better use the music to find the different nuances in the text and have been able to witness some phenomenal artistry. 

What has been the most challenging aspect of developing La Traviata, and what has been the most thrilling part of bringing this opera to life?

The biggest challenge in developing La Traviata is finding the balance of respecting Verdi's score with fresh, contemporary elements that appeal to modern audiences. This involves careful attention to detail in every aspect of the production, from staging to costume design. The most thrilling part is seeing it all come together in a live performance, where the cast, orchestra, and audience come together to experience this story. 

For those who are new to opera, what makes attending a performance such a unique and enjoyable experience?
I would say that opera is like going to see Olympic-level dancers and musicians performing at the top of their game. Plus, going to the opera offers a chance to unplug and engage with something real, tangible, and deeply moving.

Finally, what makes La Traviata a must-see performance for audiences?

La Traviata is a must-see performance because the audience will get to experience spectacular music, to see amazing costumes, and to leave the opera humming some of opera's most iconic music. 

Veena Akama-Makia performs in La Traviata at the Royal Ballet & Opera 7 – 21 September. Tickets from £12 rbo.org.uk