Orphans at Jermyn Street Theatre Review
Written by Mia for Theatre and Tonic
Disclaimer: Gifted tickets in exchange for an honest review
Although many people prefer the dazzling, extravagant shows that dominate the West End, there is something about the intimate, intrusive nature of a small cast in a small theatre. Tension is heightened, pauses lengthened and facial expressions cause audience members to look away from the intensity.
Orphans is a play that has been around for more than 40 years, yet none of its impact is lost in this revival. Characters are still relatable, detestable and pitiable, while Lyle Kessler’s script still packs a punch (there are a few unpleasant slurs, but these are accurate considering the characters and the time), with a few lighthearted moments to balance the serious, disturbing nature of the story. Despite the small stage, director Al Miller has ensured there’s plenty to look at even when only one actor is on the stage. Emotions run high throughout and the changing status quo keeps it pacy.
It is a strange story and there does feel a slight lack of motivation for some characters, as well as an open-ended conclusion; it is almost up to the audience to decide what the characters will do next. At its heart Orphans is a story about perception, trust and instinct.
All actors are strong performers, taking on complex characters with stark personalities that continuously clash. Forbes Masson (Harold) is ultimately caring, despite his suspicious backstory, whilst Chris Walley (Treat) is less caring than initially believed to be. Fred Woodley-Evans (Phillip) walks the line between naïve and coddled, and the small cast really allows all characters to show development.
Rebecca Clark Carey has done a fantastic job as accent coach, and dialect feels very natural; Enric Ortuño has handled the fight scenes well, making them believable and shocking (although one hit does miss its mark which is a shame).
Orphans is a mesmerising production, performed exceptionally well, with many memorable and thought-provoking moments; coupled with the outstanding questions, this is a production that is likely to stay with viewers for a long time.
Plays until 24 January 2026
★★★★
