Courier, Piers Mackenzie Review

Written by Kerry McLaughlin for Theatre & Tonic


Courier is the epitome of fringe. Something that seems like such a basic concept takes its own spin (literally) into a topic that was heightened exceptionally during the pandemic. In the next few years, there will no doubt be an explosion of shows that deal with the theme of isolation, so it was nice to see this piece before it potentially got lost in the crowd.

A standout of the show, notably in the first fifteen minutes, was the lighting. A smart use of spotlights and colour mirroring Benny’s frame of mind makes you almost forget that this is a one-man show. The twists and turns of the show definitely strengthens it, slowly revealing themselves instead of one big load bang in the final scene.

Sadly, not every joke landed; however, this didn’t feel like a script issue but more an audience one. Especially with the fringe, the right audience can make or break a performance. 

Courier plays at Edinburgh Festival Fringe until 24 August

★ ★ ★ ★

Previous
Previous

Lydia Bennet Works in Finance, Trelawny Kean Review

Next
Next

Jackie!!!, Blair Russell Productions Review