Tim Key: Loganberry, Queen Dome at Pleasance Dome Review
Written by Michael Neri for Theatre & Tonic
Disclaimer: I’m dyslexic, so any typos are just plot twists for your brain.
From the moment we stepped into the room, it was clear: this was Tim Key’s domain, and we were merely guests. He moved through the space with quiet ownership, scanning the audience with a discerning eye, bestowing occasional nods of acknowledgment. These nods felt like an unspoken seal of approval — a small, wordless “you’re welcome here.” I found myself longing for one, not wanting to appear too eager, yet sneaking glances in his direction, hoping my moment would come.
It never did.
No matter. Once the show began, any lingering disappointment dissolved into the steady rhythm of Key’s performance — a gentle current of humour laced with realism, delivered with the air of someone who’s seen it all yet still has the energy to pull you along for the ride. This wasn’t a barrage of forced punchlines or a desperate scramble for the biggest laugh; instead, Key exuded an effortless wit, drawing the audience in with understated charm.
His humour was unflashy but magnetic, grounded yet unpredictable. Even when I wasn’t laughing out loud, I found myself leaning forward, absorbed by his peculiar blend of exasperation and warmth. He made it feel as if we were all in on some private joke, part of a shared and slightly absurd moment.
There’s a certain pleasure in a comedy show that doesn’t rely on shock value or relentless pacing but instead trusts the material — and the performer — to hold your attention. Tim Key does exactly that. He is, quite simply, a funny bloke who knows his craft and plays it beautifully.
Nod or no nod, it was a thoroughly enjoyable night out. I left the venue smiling — and perhaps, still secretly hoping for that approving glance next time.
Tim Key: Loganberry is a masterclass in understated funny.
Playing at the Edinburgh Fringe until 24th August at Queen Dome at Pleasance Dome.
★ ★ ★ ★ .5
