Interview with The Mousetrap’s Stephen Ventura

Interviews

2 Feb

Conducted by Emmie for Theatre and Tonic

As the longest-running production in the world, Agatha Christie’s The Mousetrap has captivated audiences for decades with its tale of mystery, deception, and a killer hidden in plain sight. With its home at the St Martin’s Theatre since 1952, this production is one of the best shows to experience in the West End. But what is it like to be part of the historic show? We spoke to Stephen Ventura, Mr Paravicini to find out more.

1. Where did your journey with The Mousetrap begin? What was it about this show which made you want to be a part of it?
Ola Ince is very inspiring as a director. During auditions, she made it clear she was open to new ideas, which attracted me.

2. The Mousetrap is adapted from the book by Agatha Christie. Had you seen or read the book prior to working on the show?
Several friends have appeared in previous versions. They all had fun.

3. As this production has ran for a long time, where did you draw your inspirations from when creating your character, Mr. Paravicini?
I was interested by the figure of the Spiv in British crime stories.

4. Were there any surprises to your character that you experienced in the rehearsal room?
I realized he could have a real stake in staying alive just like everyone else.

5. How do you interpret Mr. Paravicini in The Mousetrap - is he the comic relief, red herring, or something darker?
There is a lot in the character beyond being a lecherous stereotype of an Italian. He contributes several red herrings.

6. Is it difficult to work on a show that has been in the West End for so long and keep it fresh for audiences? How do you work with that as an actor?
We are a disciplined company and we work together every show to create spontaneous moments. It's what modern actors train for.

7. If you could play another character in this murder mystery - who would you love to take on and why?
Mrs Boyle. We all want to do the scene (ahem) at the end of Act One

8. Why do you think Agatha Christie’s writing translates so well to the stage?
Agatha was a master of plot. It creates a great sense of drive.

9. Why do you think The Mousetrap has remained popular for so many decades with audiences from all over the world?
I've no idea why it's so international in its appeal. But it seems to have had a resurgence.

10. If people haven’t experienced The Mousetrap yet, how would you describe it in three words?
Tense. Cryptic. Funny.